Saturday, September 6, 2008
Secret Lake ( Durgam Cheruvu)...hyderabad entertainment for couples
Tuesday, September 2, 2008
Sanghi Temple
Monday, September 1, 2008
Nehru Zoological Park hyderabad entertainment for kids
Lumbini Park...hyderabad entertainmrnt for kids
Osman Sagar Lake.....hyderabad entertainment for family
Birla Mandir
Birla Mandir
Location : On Kala Pahad In Hyderabad
NTR Garden..hyderabad entertainmrnt for family
Entrance plaza with fountain
Machan tree
Car cafe
Toy train
Japanese garden
Wide pathways
Lush greenery
Fruit restaurant
Family entertainment center
Souvenir shops
Blooming flowers at the gardens.
Children's playing area The historic city of Hyderabad is rapidly growing into a metropolis. Hyderabad Urban Development Authority intends to fashion a clean, green and healthy atmosphere for the people of Andhra Pradesh. The NTR Garden of Hyderabad contributes to the breathing space for the city.NTR Garden in Hyderabad boasts a vast collection of flora, a unique fountain, Gopuram, an imposing entrance plaza with Nandi Bulls besides other attractions. A huge restaurant resembling a bowl of fruits is to be found here, fringed by three petal shaped pools and greenery.To ensure the ease and entertainment visitors, there are several cafes, souvenir shops, Shiromani Garden, a picturesque waterfall, bowling alley and electronic games. The NTR Garden of Hyderabad provides leisure activities, eateries and tastefully landscaped topography. This project has been conceptualized and created by Nitish Roy and AssociatesTickets: Adults – Rs 15 ( 12 years and above)Adult with Camera- Rs 30 Adult with Video Camera- Rs 65Child Rs 10 (3 years and above/ below 12 years) Tickets Issue Timings: 2.30 to 8.30 pmPark Opening Timings–2.30 to 10 pmNTR Garden of Hyderabad is a popular entertainment spot in Hyderabad
Hussain Sagar Lake Hyderabad..coool place ..hyderabad entertainmrnt for all people
How to Reach: Local Transport within Hyderabad.
Main Attraction: Beautiful statues of famous people, Statue of Buddha in the middle of the Lake, Water sports.
The Hussain Sagar Lake in Hyderabad is an enchanting lake and is the largest man-made Lake in Asia. Hussain Sagar Lake always attracts visitors throughout the year who become mesmerized by its radiant calm blue water. It was built by Ibrahim Qutub Shah in 1562, on the tributary of the River Musi. Hyderabad and Secunderabad are the two cities that are connected to each other by the Hussain Sagar Lake. They are popularly known as twin cities.The place where the Hussain Sagar Lake is located is called 'Tank Bund'. It is an abridged version of its actual area, and has attained lovely trimmings and environs that augment its appeal to tourists as well as the residents of the twin cities. The Lake doubles up as an important landmark as well as picnic and recreation spot. The Lake is bordered by four major spans of greenery, Indira Park in the east, Sanjeevaiah Park in the north, Lumbini Park in the south and a green belt stretch squeezed in between the Raj Bhavan road and the Necklace Road. Indira Park, named after former Prime Minister Indira Gandhi, is the oldest of these four parks and is also a favorite site among the residents of the city.But the thing that lures people at the Hussain Sagar Lake is literally and symbolically is the massive Buddha statue that stands majestically in the middle of this placid lake. The 16 meter tall, 350-tonne monolithic gigantic sculpture rises high from the calm waters of the scenic Hussain Sagar Lake. The statue is entirely made of white granite, finely sculpted and stands grandly on a wide dais amidst the glistening waters of the lake. A boat ride to the statue of Buddha is an unforgettable one and gives a feeling of immense peace.Every year, the state tourism board organizes water sports competition for all adventure seekers. The sports range from boating to water-skiing, para sailing and cruising in motorboats. During these competitions, a number of people flank the shores of the lake making it the most lively and colorful place.
night view
Salar Jung Museum Hyderabad
Location: Banks of the Musi River, Hyderabad.
How to reach: Easily accessible from Hyderabad with the help of local transport.
Main Attractions: artifacts from all over the world that include a musical clock, the Veiled Rebecca, rare scriptures and manuscripts.
History of SJM
This eclectic treasure of world art of over 48,000 objects has grown out of the rich and variegated collection acquired by them but more specifically by Mir Yusuf Ali Khan, popularly known as Salar Jung III (1889-1949). He served briefly as Prime Minister (from 1912-14) to Nawab Mir Osman Ali Khan, the seventh Nizam of Hyderabad. He spent a considerable portion of his wealth in collecting objects of art and other curios in staggering profusion. He was indeed a consummate dilettante and a shrewd connoisseur of everything pertaining to art & antiquities, as the collection in the museum testifies.After his death, in the absence of any direct descendents, the Indian Government appointed a committee to administer the Salar Jung Estate. To perpetuate the name of Salar Jung, a private museum of that name came into being in December 1951, in the Diwan Deodi, the ancestral palace of Salar Jung III. It was declared open by the first Prime Minister of India, Pandit Jawaharlal Nehru. The control and supervision of the Salar Jung Estate was fully passed to the Indian Government in 1960 and for a year the Museum was administered directly by the Ministry of Scientific Research & Cultural Affairs. By an Act of Parliament, known as the Salar Jung Museum Act, 1961, the Museum with the Library were declared to be an "Institution of National Importance."The Museum then shifted to it’s present premises in July 1968, and was declared open by Dr. Zakir Hussain, the then President of India.Under the Salar Jung Museum Act of 1961, the Indian government transferred the administration of the Museum on July 1, 1961 to a Board of Trustees with the Governor of Andhra Pradesh as ex-officio Chairman. The Salar Jung Museum Act has empowered the Board of Trustees, which is an autonomous body, not only to manage the Museum efficiently, but also to plan, promote, organize and implement programs for the proper development of the Museum. Moreover the Board has been fully authorized to take such measures, as it thinks fit for providing instruction and research in activities bearing on museums & libraries, and for the advancement of learning.
Collections
Apart from this, there is a gallery devoted to the illustrious Salarjung family, the Children's Section, a rich reference Library, reading room and a Rare Manuscripts Section with Arabic, Urdu Persian manuscripts which makes this museum a place of education and enjoyment for people from all walks of life..
Founder's Gallery recreates the life & times of the Salar Jungs with their portraits, and personal artifacts. Also on display are unique momentos like the panegyric in Urdu presented to Sir Salar Jung & Nizam VI in memory of their having attended the Imperial Proclamation of Queen Victoria in 1877 at Delhi, and portraits of the Nizams of Hyderabad, under whom the Salar Jungs served as Prime Ministers.
The Indian Collection is a chronicle of India's diverse and rich cultural heritage through the ages. It comprises stone sculptures, bronze images, painted textiles (Kalamkari etc.), wood carvings, miniature paintings, modern art, ivory carvings, jade carvings, textiles, metal-ware, manuscript, arms & armour etc.
Middle Eastern Art is represented in an eclectic collection of carpets, paper(manuscripts), glass, metal-ware, furniture, lacquer etc. from Persia, Arabia, Syria, and Egypt.
One of the few Indian museums with an extensive collection of Far Eastern Art, porcelain, bronze, enamel, lacquerware, embroidery, painting, wood & inlay work from China, Japan, Tibet, Nepal and Thailand etc. are on display. The Chinese collection especially, represents a comprehensive range of export wares on par with the best internationally.
Oil and watercolor paintings form an important part of the European Collection. Apart from several 19th cent British painters, the gallery also includes artists of the French, Italian & German schools. Also on display are Venetian glass, Sevres porcelain, Dresden China, Wedgwood pottery, English furniture, Greek sculptures etc.
Objects acquired by Salar Jung III during his childhood are on display in theChildren’s Section. The exhibits housed here provide informal education to the children apart from providing delight to them.
Nizams Jewellery
The Collection was for the first time presented to the people of India in 2001 at New Delhi. In the same year it was brought to this city. This stunning jewellery exhibition attracted over 2.35 lakh visitors to the Salar Jung Museum from 24 November, 2001 till 30 June 2002. The grand success of the last exhibition and with the encouragement of The Ministry of Culture, this priceless heritage of the nation has second exhibition presented to the people of Hyderabad by the Salar Jung Museum from 1st January 2006 to 16th March 2007.
The exhibition was presented with new insights into the history of the Nizams’ Jewellery. The interiors have been divided into three spaces- the lobby area, the Introductory Gallery with rare photographs from the Chowmahalla Palace Collection and the main vault where the jewels have been displayed under high security. The jewellery is displayed in twenty-nine showcases.
The main gallery displays jewellery spread over twenty-nine showcases including the framed 184.50 carat Imperial Diamond, the twenty two priceless uncut Columbian emeralds believed to have been part of the Roman treasury, magnificent Basra pearls and the rare alexandrite ring.
Among the many jewellery pieces dating from the early eighteenth century to the twenty century on display in the Nizams jewellery exhibition, a few of the highlights are:’•
The famed 184.50 carat Imperial (Jacob) diamond.
The twenty two priceless uncut Colombian emeralds
The rare carat alexandrite ring.
A Kanthi (necklace) with approximately 12 flat diamonds totaling an astonishing 250 carats from the Golconda mines
Taveez Dand Zamarrud Wa Kanval Almas, step cut emerald bazubands or armbands weighing 100 and 150 carats once thought to have belonged to Tipu Sultan, the ruler of Mysore.
Click Hire to see some of Most stunning pieces
Raymond Tomb Hyderabad
How to reach: Easily reachable from Hyderabad with the help of local transport.
Main Attraction: The French Garden in vicinity.
Raymond's Tomb was built in the memory of the brave French General Michel Joachim Marie Raymond (1755 - 1798 AD). He joined as an ordinary soldier in the service of the ruling Nizam of Hyderabad. He rapidly worked his way up and soon commanded the position of an army General. Not only was he respected in the army, he was also popular among the ordinary public. He was fondly known as Musa Ram among the Hindus and Musa Rahim among the Muslims. Raymond's Tomb is situated in Saroornagar, which lies 10 kilometers from Hyderabad city center towards the east. One can make use of the local transport, which is easily available round the clock in the city of Hyderabad. The tomb is open on all days except Friday. The timings are from 9:30 am to 4:30pm. The tomb is a symbol of great respect and till date people from all over the city pay respect on the death anniversary of the late army general by lighting incense sticks near the tomb.The Raymond's tomb is a conical structure that is made up of black granite slabs. It is 60 meters long, 30 meters wide and 10 meters high. While touring the tomb, you can also head off to the French Garden, which is located nearby. It is a beautifully laid out lawn with velvety green grass and lovely flowers. You can also spot military barracks of the army that were once bustling under the command of the valiant general Raymond.
Qutub Shahi Tombs Hyderabad
Location: 2 Kilometers from the Golconda Fort.
How to reach: Local transport which is easily available in Hyderabad.
Main Attractions: Numerous tombs at one place, Deccan Festival.
Paigah Tombs Hyderabad...entertainment
Location: Santoshnagar, 10 kilometers from Hyderabad city center.
How to reach: Local Transport within Hyderabad city.
Main Attractions: One of its kind architectural wonder, carvings of marble
The Paigah Tombs in Hyderabad, India are the tombs of the several generations of the Paigah nobles. The Paigah nobles were very close to the Nizams and so they enjoyed a significant social status. They were given the responsibility of looking after the security and defense of the state. Some of the Paigah nobles who have been laid to rest here are Asman Jah, Viqar-ul-Umara and Shams-ul-Umara. Abdul Fateh Khan Tegh Jung founded the Paigah nobility and was rendering service to the second Nizam, who ruled between 1760 and 1803. The Nizam bestowed him with the prestigious title of Shams-ul-Umra, meaning "the Sun among the masses". Tegh Jung was buried in 1786 at the foyer of the complex. An iron plaque at the entrance of the complex traces the Paigah lineage and exalts the marble magnificence of the vault. The Paigahs were also great patrons of fine arts, literature and sports and commanded the respect of the rulers and the ordinary people alike.The Paigah Tombs are unique specimens of extraordinary artistry that is ardently visible in the wonderfully inlaid mosaic work. Local people claim that the geometrical patterns and designs of these stunning tombs are only one of its kind and exclusive and cannot be found anywhere in the world.
Sunday, August 31, 2008
hyderabad entertainmrnt....golconda fort
Golkonda (or Golconda), a ruined city of south-central India, is situated west of hyderabad , capital of ancient hyderabad city(c. 1364–1512).
The most important builder of Golconda was ibrahim quli qutb shah wali, the fourth qutb king. Ibrahim was following in the spirit of his ancestors, the Qutub Shahi kings, a great family of builders who had ruled the kingdom of Golconda from 1512. Their first capital, the fortress citadel of Golconda, was rebuilt for defense from invading mughals from the north. They laid out Golconda's splendid monuments, now in ruins, and designed a perfect accoustical system by which a hand clap sounded at the fort's main gates, the grand portico, was heard at the top of the citadel, situated on a 300-foot (91 m)-high granite hill. This is one of the fascinating features of the fort.
They ruled over the telangana region and some parts of present day karnataka and maharashtraHistory
In the 16th century, Golconda was the capital and fortress city of the qutb shahi kingdom, near hyderabad. The city was home to one of the most powerful Muslim sultanates in the region and was the center of a flourishing diamond trade. Golconda is located 11 km west of the city of hyderabad,andhrapradesh state,india
(According to a legend, the fort derives its name from Golla Konda, which is a telugu word for shepherd Hill. It is believed that a shepherd boy came across an idol on the hill. This led to the construction of a mud fort by the then Kakatiya dynasty ruler of the kingdom around the site.
The city and fortress are built on a granite hill that is 120 meters (400ft) high and is surrounded by massive crenelated ramparts. The beginnings of the fort date to the 1143, when the Hindu Kakatiya dynasty ruled the area. The Kakatiya dynasty were followed by the state of Warangal, which was later conquered by the Islamic Bahmani Sultanat. The fort became the capital of a major province in the Sultanate and after its collapse the capital of the Qutb Shahi kings. The fort finally fell into ruins after a siege and its fall to Mughal emperor Aurangazeb.
After the collapse of the Bahmani Sultanat, Golconda rose to prominence as the seat of the Qut Shahi dynasty around 1507. Over a period of 62 years the mud fort was expanded by the first three Qutb Shahi kings into a massive fort of granite, extending around 5 km in circumference. It remained the capital of the Qutb Shahi dynasty until 1590 when the capital was shifted to Hyderabad. The Qutb Shahis expanded the fort, whose 10 km outer wall enclosed the city. The state became a focal point for Shia Islam in India, for instance in the seventeenth century Bahraini clerics, Sheikh Ja`far bin Kamal al-Din and Sheikh Salih Al-Karzakani both emigrated to Golconda.
The Qutb Shahi sultanate lasted until its conquest by Mughal emperor Aurangzeb in 1687. The fortress held out against Aurangzeb for nine months, falling to the Mughals through treachery.
Kancharla Gopanna, popularly known as Bhaktha Ramadaasu, a devout Hindu who constructed Bhadrachalm temple without informing the sultan at that time [Tana Shah], was kept in a jail located inside the fort.
Golkonda fort overlooking city
Golconda consists of four distinct forts with a 10 km long outer wall with 87 semi circular bastions; some still mounted with cannons, eight gateways, four drawbridges and number of royal apartments & halls, temples, mosques, magazines, stables etc, inside. The lowest of these is the outermost enclosure into which we enter by the "Fateh Darwaza" (Victory gate, so called after Aurangzeb’s triumphant army marched in through this gate) studded with giant iron spikes (to prevent elephants from battering them down) near the south-eastern corner. At Fateh Darwaza can be experienced the fantastic acoustic effects, characteristic of the engineering marvels at Golconda. A hand clap at a certain point below the dome at the entrance reverberates and can be heard clearly at the 'Bala Hisar' pavilion, the highest point almost a kilometre away, this worked as a warning note to the royals in case of an attack.
Bala Hissar Gate is the main entrance to the fort located on the eastern side. It has a pointed arch bordered by rows of scroll work. The spandrels have yalis and decorated roundels. The area above the door has peacocks with ornate tails flanking an ornamental arched niche. The granite block lintel below has sculpted yalis flanking a disc. The design of peacocks and lions is a blend of Hindu - Muslim architecture.
Toli Masjid, situated at Karvan, about 2 km from the Golconda fort, was built in 1671 by Mir Musa Khan Mahaldar, royal architect of Abdullah Qutb Shah. The facade consists of five arches, each with lotus medallions in the spandrels. The central arch is slightly wider and more ornate. The mosque inside is divided into two halls, a transverse outer hall and an inner hall entered through triple arches.
entertainment in old city...charminar...
hyderabad, the capital city of the south Indian state of Andhra Pradesh, is famous all over the world for its magnificent Charminar (four minarets). Often called "The Arc de triomphe of the East", Charminar was built by Mohammad Quli Qutub Shah, the erstwhile Qutub Shahi Sultan of Golconda, in 1591. It was the centre of attraction of the magnificent capital city of Mohammad Quli Qutub Shah. In spite of it being dwarfed by present day buildings, the Charminar has not lost its erstwhile majesty and continues to attract travellers. Presently, Charminar stands with pride, at the centre of the old city.
Legend
The monument was built by Muhammad Quli Qutb Shah in 1591 to commemorate the eradication of plague, shortly after he had shifted his capital from Golconda to what now is known as Hyderabad. Legends has it that the emperor Quli Qutb Shah prayed for the end of plague and took the vow to build a masjid on that very place. He ordered the construction of the masjid which became popular as Charminar because of its four characteristic minarets. The top floor of the four-storeyed structure has a masjid which has 45 covered prayer spaces and some open space to accommodate more people in Friday prayers. Madame Blavatsky reports that each of the floors was meant for a separate branch of learning - before the structure was transformed by the imperial British administration into a warehouse for opium and liqueurs.
Charminar – Architecture and Importance
Indo-Islamic style of architecture is neither a local variant of Islamic architecture that reached India in the middle ages, nor a modification of Hindu art, but it is an assimilation of both the styles, though not always in an equal degree.
It is so because each region in India has its own form of Indo-Islamic architecture, which varies from place to place and there is no standardization. On the other hand Islamic art itself was a composite style, which had various Muslims influences like Turkish, Persian and Arabic.
Rulers from different parts of the Muslim world, who came and settled in India, brought with them the artistic traditions of their regions. The intermingling of such traditions with local Indian practices resulted in different forms of Indo-Islamic art. In Delhi, Islamic influences dominated while in the Deccan, local styles were more prominent in the buildings. In Bengal, the indigenous practice of using bricks for building was adopted and the monuments were richly decorated with chiselled and moulded decorations typical of Hindu temples.
Though both the Indian and Islamic styles have their own distinctive features, there are some common characteristics, which made fusion and adaptation easy. Both the styles favour ornamentation, and buildings belonging to both these styles are marked by the presence of an open court encompassed by chambers or colonnades.
The Charminar is an excellent example of the Indo-Islamic style of architecture. The four arched gates and the four towering minarets of this building reflect its Islamic lineage but the overall rendering of the building reflects a strong local influence. The decorations on the main structure and the minarets are ample evidence of local architectural traditions.
The Charminar is an imposing monument, which reflects the glory of the Qutub Shahi dynasty. It is a massive square structure, 56 m (183.72 ft) high and 30 m (98.42 ft) wide. This monument is built entirely of granite and lime mortar. It has 4 minarets one on each of its corners. These fluted minarets are attached to the main building and rise towards the sky to a height of 56 m (183.72 ft). Each minaret of the Charminar has a double balcony. A small bulbous cupola crowns each of these beautiful minarets, which is decorated with petal like formations. A short pointed spire crowns all the minarets.
The four grand arches of the Charminar face the four cardinal directions. Once upon a time each of these arches led to four royal roads. Each of the four arches is decorated on its sides with a row of small arched niches. The Charminar is a two-storied building with the first floor being covered. The elegant balconies on this floor provide excellent vantage point for viewing the surrounding areas. There is a small mosque on the top floor of the building, which can be reached by climbing a total of 149 steps. The mosque is situated on the western side facing the Muslim holy city of Mecca. There are as many as 45 prayer spaces on this floor, which does not have a roof on top of it. It is said that people thronged this mosque to offer Friday prayers, during the reign of the Qutub Shahi dynasty in Hyderabad. This mosque is the oldest surviving mosque in the city of Hyderabad. The panoramic view of the city from the top is simply breathtaking.
The Charminar is a unique blend of the Indo-Islamic style of architecture that flourished in India during the medieval period. The beauty of this enchanting monument is accentuated every evening when it is illuminated.
Location and Transport
Hyderabad and Secunderabad are twin cities, and share the same airport - Begumpet airport that is well connected by air with important Indian cities. It is located at a distance of six kilometres from Secunderabad and is 15 km from Old City (Old City of Hyderabad), where Charminar is situated. Taxis are easily available from the airport for the twin cities.